Barry Shank

Headshot of Barry Shank

Barry Shank

Director, Humanities Institute and Humanities Collaboratory; Professor, Department of Comparative Studies


440 Hagerty Hall
1775 S. College Road
Columbus, OH

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Areas of Expertise

  • Capitalism and Sentiment
  • Cultural Theory
  • Popular Music
  • American Studies


  • PH.D. in American Studies, University of Pennsylvania

Trained in the interdisciplinary field of American Studies, Barry Shank’s books include The Political Force of Musical Beauty (Duke University Press, 2014), A Token of My Affection: Greeting Cards and American Business Culture (Columbia University Press, 2004), and Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas (Wesleyan University Press, 1994). He is the co-editor of The Popular Music Studies Reader (Routledge, 2005)(with Andy Bennett and Jason Toynbee), and American Studies: A New Anthology (Wiley/Blackwell, 2009)(with Janice Radway, Kevin Gaines and Penny Von Eschen). He has published in such journals as American QuarterlyAmerican StudiesAmerikastudien, boundary 2, and Radical History Review, and he has served on the editorial boards of American Quarterly, The Journal of Popular Music Studies, and Popular Music. His courses provide undergraduate students with the opportunity to investigate the economic and social determinants that shape everyday life and popular pleasure while his graduate courses focus on the complex of theoretical and methodological tools at the heart of interdisciplinary work. He has served as President of the US branch of the International Association for the Study of Popular Music and served for eight years as Chair of the Department of Comparative Studies at Ohio State University.

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